Yet all the precedent is on my side: I know that winter death has never tried The earth but it has failed: the snow may heap In long storms an undrifted four feet deep As measured against maple, birch and oak, It cannot check the peeper’s silver croak; And I shall see the snow all go down hill In water of a slender April rill That flashes tail through last year’s withered brake And dead weeds, like a disappearing snake. Nothing will be left white but here a birch, And there a clump of houses with a church.

TO EARTHWARD

Love at the lips was touch As sweet as I could bear; And once that seemed too much; I lived on air

That crossed me from sweet things, The flow of—​was it musk From hidden grapevine springs Down hill at dusk?

I had the swirl and ache From sprays of honeysuckle That when they’re gathered shake Dew on the knuckle.

I craved strong sweets, but those Seemed strong when I was young; The petal of the rose It was that stung.

Now no joy but lacks salt That is not dashed with pain And weariness and fault; I crave the stain

Of tears, the aftermark Of almost too much love, The sweet of bitter bark And burning clove.

When stiff and sore and scarred I take away my hand From leaning on it hard In grass and sand,

The hurt is not enough: I long for weight and strength To feel the earth as rough To all my length.

GOOD-BYE AND KEEP COLD

This saying good-bye on the edge of the dark And cold to an orchard so young in the bark Reminds me of all that can happen to harm An orchard away at the end of the farm All winter, cut off by a hill from the house. I don’t want it girdled by rabbit and mouse, I don’t want it dreamily nibbled for browse By deer, and I don’t want it budded by grouse. (If certain it wouldn’t be idle to call I’d summon grouse, rabbit, and deer to the wall And warn them away with a stick for a gun.) I don’t want it stirred by the heat of the sun. (We made it secure against being, I hope, By setting it out on a northerly slope.) No orchard’s the worse for the wintriest storm; But one thing about it, it mustn’t get warm. "How often already you’ve had to be told, Keep cold, young orchard. Good-bye and keep cold. Dread fifty above more than fifty below." I have to be gone for a season or so. My business awhile is with different trees, Less carefully nourished, less fruitful than these, And such as is done to their wood with an axe-- Maples and birches and tamaracks. I wish I could promise to lie in the night And think of an orchard’s arboreal plight When slowly (and nobody comes with a light) Its heart sinks lower under the sod. But something has to be left to God.

TWO LOOK AT TWO

Love and forgetting might have carried them A little further up the mountain side With night so near, but not much further up. They must have halted soon in any case With thoughts of the path back, how rough it was With rock and washout, and unsafe in darkness; When they were halted by a tumbled wall With barbed-wire binding. They stood facing this, Spending what onward impulse they still had In one last look the way they must not go, On up the failing path, where, if a stone Or earthslide moved at night, it moved itself; No footstep moved it. "This is all," they sighed, "Good-night to woods." But not so; there was more. A doe from round a spruce stood looking at them Across the wall, as near the wall as they. She saw them in their field, they her in hers. The difficulty of seeing what stood still, Like some up-ended boulder split in two, Was in her clouded eyes: they saw no fear there. She seemed to think that two thus they were safe. Then, as if they were something that, though strange, She could not trouble her mind with too long, She sighed and passed unscared along the wall. "This, then, is all. What more is there to ask?" But no, not yet. A snort to bid them wait. A buck from round the spruce stood looking at them Across the wall as near the wall as they. This was an antlered buck of lusty nostril, Not the same doe come back into her place. He viewed them quizzically with jerks of head, As if to ask, "Why don’t you make some motion? Or give some sign of life? Because you can’t. I doubt if you’re as living as you look." Thus till he had them almost feeling dared To stretch a proffering hand—​and a spell-breaking. Then he too passed unscared along the wall. Two had seen two, whichever side you spoke from. "This must be all." It was all. Still they stood, A great wave from it going over them, As if the earth in one unlooked-for favor Had made them certain earth returned their love.

NOT TO KEEP

They sent him back to her. The letter came Saying . . . And she could have him. And before She could be sure there was no hidden ill Under the formal writing, he was in her sight, Living. They gave him back to her alive-- How else? They are not known to send the dead-- And not disfigured visibly. His face? His hands? She had to look, to ask, "What is it, dear?" And she had given all And still she had all--they had—​they the lucky! Wasn’t she glad now? Everything seemed won, And all the rest for them permissible ease. She had to ask, "What was it, dear?" "Enough, Yet not enough. A bullet through and through, High in the breast. Nothing but what good care And medicine and rest, and you a week, Can cure me of to go again." The same Grim giving to do over for them both. She dared no more than ask him with her eyes How was it with him for a second trial. And with his eyes he asked her not to ask. They had given him back to her, but not to keep.

A BROOK IN THE CITY

The farm house lingers, though averse to square With the new city street it has to wear A number in. But what about the brook That held the house as in an elbow-crook? I ask as one who knew the brook, its strength And impulse, having dipped a finger length And made it leap my knuckle, having tossed A flower to try its currents where they crossed. The meadow grass could be cemented down From growing under pavements of a town; The apple trees be sent to hearth-stone flame. Is water wood to serve a brook the same? How else dispose of an immortal force No longer needed? Staunch it at its source With cinder loads dumped down? The brook was thrown Deep in a sewer dungeon under stone In fetid darkness still to live and run-- And all for nothing it had ever done Except forget to go in fear perhaps. No one would know except for ancient maps That such a brook ran water. But I wonder If from its being kept forever under The thoughts may not have risen that so keep This new-built city from both work and sleep.

THE KITCHEN CHIMNEY

Builder, in building the little house, In every way you may please yourself; But please please me in the kitchen chimney: Don’t build me a chimney upon a shelf.

However far you must go for bricks, Whatever they cost a-piece or a pound, Buy me enough for a full-length chimney, And build the chimney clear from the ground.

It’s not that I’m greatly afraid of fire, But I never heard of a house that throve (And I know of one that didn’t thrive) Where the chimney started above the stove.

And I dread the ominous stain of tar That there always is on the papered walls, And the smell of fire drowned in rain That there always is when the chimney’s false.

A shelf’s for a clock or vase or picture, But I don’t see why it should have to bear A chimney that only would serve to remind me Of castles I used to build in air.

LOOKING FOR A SUNSET BIRD IN WINTER